4000 miles and an ocean

The most complicated plan
Mixed Media on Canvas 12x12"
© 2011 Megan Chapman
$250

Things have been humming along in my studio in fits and starts. Yesterday was a particularly good day for painting as I finished some new works for my upcoming exhibition. I can't wait to get back to the studio today to finish up more of these latest paintings. My exhibition will be here before I know it. "Sometimes I love you and other stories," opens on September 1st from 5-8pm as part of the Fayetteville Underground's First Thursday artists' receptions. If you are local or regional or just happen to be passing through Fayetteville, I hope you will join me in the Vault Gallery. I would love to see you there.

This work might be different from what most would consider my style of painting. The addition of the typed words along with the paintings changes things. It is at once an aesthetic object to be enjoyed and viewed as a whole, as well as something that asks to be read and digested. Time is being asked of the viewer. One can't just give these works a cursory glance and move on as with traditional painting. If the words are not read, one may leave feeling cold, but if the viewer takes the time they will be rewarded. Across between poetry, love letters and slips of dreams on canvas, these minimalist paintings share my sense of longing for and separation from, someone I love. They also speak to the universal longing that we all feel at one time or another. The secret thoughts and wishful hopes, the romantic notions that float through our minds only to fade, are somehow caught on the canvas to remain a permanent reminder.

Within the exhibition there are also the other stories, the paintings that do not contain my words, yet still obviously tie into the series. Some of these pieces may have parts of books embedded within as well as the same color palette used throughout the show, mostly comprised of brilliant white, rusty orange, graphite and charcoal. Lines feature heavily in these works as well. My love of line has never been stronger than it is within this work. These lines reach out across the pure white, sometimes like vines, wires, sound waves, an electric current or even the ocean. Perhaps they are the threads that connect and sometimes break between people. These lines stretch and reach darkly across the white, searching.

There is a surface quality to this work that is a bit different from my previous work as well, it is a bit glossy and slick yet also waxy. I am really excited about this aspect, as many know I flirted with a waxy, foggy surface with my Secret Blocks, but this time I have found a new medium that does exactly what I have always wanted! It is very exciting to find and use a new tool in the studio.

I think you can tell I am pleased with how this body of work is shaping up and I could tell you more and analyze it further, but I really must get to the studio and get to work!!

Thank you always for your support and interest in my work. It helps so much to know you are out there and that you are keeping up with what is going on in the studio and beyond. I am very fortunate to have made so many friends and supportive collectors because of my art.

Until next week, keep fighting!
Remember the world needs your art.