"You're more than what some people let you know..."

I hope all my readers had a wonderful holiday yesterday with friends and family. Perhaps you had a few minutes to yourself to just be still with a good song, a dream, a book, anything that makes you happy and that you were all safe and warm.

Time marches on, and this year seemed to go at warp speed. I know we still have some time and I am jumping the gun a bit. I just feel the need to see where I have been before I move into the next year. This may make for boring reading for you, but I hope it will encourage you to really think about all the things you have done with your art/life this past year. I don't care if you are only a part time or sporadic artist, or a seasoned professional. Last year in my post Bravery and the Art of being an Artist , I challenged my readers to set some goals and really go for it in 2008. I know that many of you have really been working hard this year and you deserve to give yourself credit for all your efforts. Sometimes it is easy to disregard your accomplishments unless you write them down. Feel free to post them in the comments or keep them to yourself. I try to keep up with many of you, and I must say how impressed and inspired I have been with your amazing paintings, your promotions, and your shows over this past year.

My 2008...

We will start with some of the negatives...

I dealt with a major rejection last January after my work had been sought out and was considered for reproduction by one of my favorite stores, an international company based in Sweden(you know the one). Going through that long process was a thrill and filled me with hope, confidence, and excitement but also drained me. It looked like it was a "go" right until the end and then it just wasn't. I posted about it vaguely in my blog and said I was going to give myself half a day and some soy ice cream to be really miserable and then just get over it. Ha! If you noticed less "rah rah- you can do it", and more "what is this all about?" in my blog posts this year, I suspect this had something to do with it. It took more than a half day to get over it to say the least. All in all, it was an honor to be considered and I did learn a lot about the process and also how I feel about the business of reproductions.

Last year, I said I was going to enter a particular juried publication, even though I always get rejected, well I entered and I got rejected again! I will probably enter it again this year as well; sometimes we just have to do these things.

Also, two of the galleries that represented my work unfortunately closed this year due to the economy among other things. I was sad that they closed, but like they say "one door closes, another one opens." Thanks for the memories, Gallery Fraga and Remy Fine Art. It was a pleasure to work with you both.

Alright, enough of that.. lets get to the fun stuff.

I didn't get in the one publication but I did get in another. Studio Visit accepted my work, and the reproductions of two of my paintings in that journal were stunning. I was very pleased to be a part of the first issue of that publication. I also received a very nice letter from a stranger who had come across my work in Studio Visit and they shared how my work had moved them and that meant a lot to me. Also because of the Studio Visit publication, I was approached by a company that specializes in reproductions for the hotel and hospitality industry, and was offered a contract to have my work reproduced. This was again a thrill to be sought out, but in the end the contract didn't meet my needs and I passed on the opportunity. I learned a tremendous amount about the reproduction/art licensing industry in 2008, and I am grateful for that knowledge and I hope I will be able to use it in the future. I am now getting pretty good at processing these types of contracts from these experiences. I am also getting pretty good at listening to my gut and making sure I don't jump on every "opportunity" that comes my way.

Another of my goals for 2008 was to submit my work to at least two new galleries for consideration, and I am pleased to report I did fulfill this goal. I submitted my work to two galleries in Atlanta, Georgia, one gallery in Kansas City, Missouri and one gallery in Portland, Oregon.We will see what happens. At the present time, none of these galleries showed me much, if any interest, and I did get one firm rejection but I am putting myself out there and that is part of the game, you can't win them all. One day soon, there will be an opening for my work in these larger markets.

Another positive in 2008 was my newly revamped website, created and updated by myself using iweb on my imac. I am so happy to have a website that is easily updated, that I can managed quickly and easily by myself. I am very proud of myself for taking care of this part of my business.

I had a successful exhibition at the Blue Moon Gallery in Hot Springs in June and July, Evidence of the Disappearance. This show taught me so much about myself, my art, and my need to share the experience with other creative people. I felt that I had been working in a vacuum before this exhibition and it was such a wonderful experience to bounce ideas off fellow artists and receive invaluable feedback and inspiration. I picked up a lot of blog readers during this process as I promoted my work in progress through as many online outlets as possible. I blogged and MySpaced about it, I made youtube videos, I vlogged, pod casted, created an exhibition catalog with blurb.com, and a beautiful postcard. I explored all means available to me in promoting this show. I was very proud of the paintings that were created, and my use of technology to promote and share these paintings. I will always look back on Evidence of the Disappearance as a success and an important time in my life.

I also tried to diversify and offer other services as the economy took a down turn. I offered portfolio reviews for the first time ever, and really enjoyed the opportunity to look through other artist's work and give them feedback or answer their specific questions at an affordable rate. I am still available for this service.For a $25 suggested donation through my paypal button on my blog, I will look at up to 20 images of your work and give you detailed written feedback, note themes or problems or answer your specific questions regarding your work. Artists who have used this service in the past have found it helpful. Contact me for more details.

I also started my own shop at etsy.com called ArtMaven this past September. I have been thrilled with the response to my Etsy shop, and happy to be able to offer people my affordable, one of a kind original small works on paper.I have sold fifty five small works to people all over the country and world since opening my shop. Every time a small piece sells for $25 or $40 it is a thrill and keeps me excited and hopeful while waiting for my larger paintings in the galleries to sell. The galleries that represent my work sold quite a few larger paintings this year as well, and I enjoyed working on several commissions through the galleries as well.

And now as 2008 wraps up I am busy finishing up my next exhibition, Fire and Noise which will open Friday Feburary 13th at the River Market ArtSpace in Little Rock Arkansas. I look forward to seeing this body of work to completion and sharing these works with you all as well as the public that will come to see them.

These are just some of the highlights of 2008, a bit of a mixed bag. A lot of learning, a lot of communicating and making connections, a lot of wonderful and new friendships forged. A lot of 3am wake up calls and many many many paintings of iron oxide, blue, textured atmosphere, lines and shapes. Many great songs played full blast over my headphones while jumping up and down in front of my easel. I want more of all of that in 2009.

I have many more coals in the fire as well, I am currently looking at getting a studio space outside my home and talking to an out of state gallery about a possible show in the Spring. I have some goals planned for the new year as well. I want to take more risks with my work. I want follow up with the galleries I submitted to earlier this year as well as submitting to more galleries this next year. I want to travel more and get out to see more great art in museums and galleries. I also want to keep painting small works and restocking my etsy shop regularly. I want to enter more juried exhibitions like I used to do before I was represented by galleries. These are just a few ideas...

How was your 2008 and what do you have planned for 2009 ?

I wish you the freedom to know your talents and strengths and to be more kind to yourself this year than you were last year. We are all going to get rejected, have slow months, question our work, question ourselves, but just know we are in this together. In the new year when you are painting and it is clicking, when you suddenly feel free and like everything is possible; hold on to that moment. They come and go so fast but those moments are why we do this work. Those flashes keep calling us back to this madness, this amazing life as an artist.

May 2009 be filled with these flashes for us all...


At a loss for words (I wanna be adored)
Mixed media on Canvas
30x30"
copyright 2008
Megan Chapman
Fire and Noise series

The Evidence Continues...Vlog

Dear Friends,

I hope you will enjoy today's Vlog.

For those of you celebrating the holiday today, I hope you have a happy and safe fourth of July.

For those of you in and around Arkansas, I will be at the Blue Moon Gallery tonight, Friday July 4th from 5-9pm for first Friday gallery walk, as my exhibition is still featured. I would love to see you there.

Thank all of you for reading and watching, and for sharing the next nine minutes of your life with me...

Megan

News and the Artist's Statement.

Congratulations to Ginna Funk Wallace! She is this month's winner of the small painting give away! Thank you to all my regulars for commenting. The odds were great this time around, sorry you all can't win one.

I would like to take this time to mention my latest offering. With the help of the online publishing website, blurb.com, I have just published an exhibition catalog for my current show Evidence of the Disappearance.The 8x10" soft cover, landscape oriented catalog is thirty eight pages, with all thirty of my paintings from the exhibition reproduced in full color.

You can preview the first fifteen pages of the book online, by clicking on the "badge" posted here on my blog or visiting this link http://www.blurb.com/bookstore/detail/275573

If you have enjoyed being a part of the process and reading about my exhibition, then this catalog would be the perfect souvenir. I will receive 5 dollars for each book sold, and those funds will help me to continue my work and encourage me greatly.


I wanted to present Evidence of the Disappearance in a permanent and cohesive way. I also wanted to create a catalog as a souvenir for those who saw the work in person as well as for those of you who may never have the chance and I wanted to provide this at an affordable price.

The book is available for sale in Dollars, Pounds, and Euros, and is priced at $24.95 before shipping. There are online coupons codes for reduced shipping rates that will work in the United States and perhaps elsewhere (click on this link and then istockphoto2008 for $7.00 off) this will open the site. You will then click on "bookstore" and then type my name and the discount will be automatically be applied at checkout. Thank you to those who may have already purchased my book, and to those who will in the future. I do appreciate your support, please tell your friends about my publication, or consider putting a badge or link advertising it on your blog or website.

One more news item before we get to work. There is a new project I am involved with in the blogosphere, that I would love for you to visit and bookmark. You Have Us Now, is an artist curated online gallery maintained by Megan Chapman, (that's me!) an artist living in the United States and Steven Heaton an artist living in the United Kingdom. Together we bring you exhibitions of artists from all over the world that we think you should you know. Our tastes may be a bit different, but our commitment to art and to what we like is the same. Our current exhibition is entitled, Two American Men and Woman from Berlin, and features the work of vrno, Mark Traughber, and Isabel Reitmeyer. This exhibition will be up through July. Enjoy!

The Artist Statement:

This topic usually sends artists running for the hills, it seems almost gauche to talk about ourselves, our inner workings, and our work. It really seems absurd to talk about ourselves in the third person (and you really don't have to). Many artists feel that words just get in the way, and that their paintings should speak for themselves. Some artists may even feel that the statement is just pretentious fluff to help shed light on the process unable to be understood by the inexperienced or bourgeois art patron.

To those artists saying all of that, I say get over yourselves. It is not that I don't understand all those feelings I do, but if we are really going to make a go of this we need to learn how to move forward.

Know that your statement is always going to be a work in progress, it is always going to change, there may be periods of time that your statement will be static, but eventually your work will change slightly and your statement won't ring as true and you will know it is time for an edit or a rewrite. So, even if you have a statement currently, look at it with fresh eyes and see if it is still relevant to the work you are producing now. I think many artists cling to their old statements, because they were an arduous task and they just don't want to go through that process again.

When I approach my statement or rewrite I like to brainstorm for a while first. I may sit in my studio with all my work around me, and just look at it, and see and feel what the work conjures up. Then, I may write down words that come to mind when I look at the work- things that stand out. Color, texture, shapes, balance, and concepts. It is important to let go and really just get the words out on paper, you don't have to use them, this is just an exercise.

I am sure you have read artist's statements that are pretentious, reaching, grandiose, stuffed with artsy jargon, yet they mean nothing, and only serve to confuse the viewer more. Your art may be complex but your statement should be as straight forward and with as little artistic jargon as possible. You are trying to bridge a gap, not create a larger one between your work and the viewer. Think of your statement as a short paragraph to help spell out your process and guide the viewer into your work. This is like leaving a bread crumb trail in the forest, you want to lead them in, to explore your art but you also want them to find their way back out again. Make your statement clear, simple and easy to follow. Don't write statements to create further mystique in your work, create them to help clarify.

Use positive action words in your statement. Eliminate words like: try, attempt, hope, strive, etc. You are doing, not trying, you have accomplished this, you are not attempting, and you are not hoping that your attempt to capture whatever was successful. It is successful. This is going to be stretch for some of you, because it seems egotistical, and you are attempting, trying, hoping in your mind. I get that. Keep the statement positive and avoid the passive voice.

Here are some examples of my statements from over the years, some are more passive and fluffy than I would write today, but you can see an evolution, a tightening, a clarification.

2002
"My paintings are an attempt to catch the flashes of buried insight: a haunting memory, a sound, a stillness from within. I approach my painting as a journey. I let the painting pull me along, as if I am following an internal equation. As I look for the solution, I maintain balance within the work. Using a subtle palette, of rusty orange, yellow ochre, pale greens and peaches, as well as rich black dusty charcoal, I strive to let the shapes converse with each other and the viewer. Using a host of almost familiar organic shapes, layers of texture, and faint colors, I create a primitive dream, and the paintings take on an otherworldly quality. I use materials together in a non-traditional manner to create a new world on canvas."

A couple of years later when I was going through a more abstract landscape period of work, this was my statement.

2004
"When I paint, mysteries unfold before me on the canvas. I feel a meditative, yet powerful, connection to the work-a sense of wholeness. These paintings are a series of strange vignettes- little timeless stories, abstractions that touch the sky, the earth, and the mysterious happenings in between. Abstractions turn into something recognized: a sense of place, the expansive sky and horizon. A place to feel the wind or wander through the darkness. The land simply emerges."

Again a couple of year's later upon my return to "pure abstract" painting, my statement became a close version of what is today.

2006
“I love textures and how layers of color and texture come together. I have been exploring different motifs that I find natural and comforting. These shapes are repetitive at times, and often peek out from a hidden space in the painting or brazenly take the foreground. They reflect my love of mark making and how I enjoy the imperfect smudge of charcoal or the gritty pencil line as it floats along the painted surface. Intuitively, I bring these elements together to create an otherworldly atmosphere.”

And my current statement very slightly altered, as my body of work and voice have solidified.

2008
"My work is about my love of color, and the subtle changes that occur when colors overlap, react, and create something new. I also love textures and how layers of color and texture come together. I enjoy exploring space and balance in my work, as well as different motifs that I find natural and comforting. These shapes or design elements are repetitive at times, and often peek out from a hidden space in the painting or brazenly take the foreground. These shapes reflect my love of mark making and how I enjoy the imperfect smudge of charcoal of the gritty pencil line as it floats along the painted surface. Intuitively, I bring all of these elements together to create an otherworldly atmosphere."

There are many resources available either at your library, or online to help you craft a good working artist's statement. If you read a statement by another artist that resonates with you, use it as a template of sorts, but again be careful not to mimic their statement too closely. Remember this is about your work.

Good luck! If you have further questions about this topic, lets hash it out in the comments section!

Evidence of the Disappearance
New paintings by Megan Chapman
Blue Moon Gallery
718 Central Ave.
Hot Springs, Arkansas
June-July 2008
Join me for first Friday gallery walk!
July 4th 5-9pm
www.bluemoonartgallery.com
www.meganchapman.com


We Carry On
30x40" Mixed Media on Canvas 2008
Megan Chapman
Evidence of the Disappearance
Blue Moon Gallery
$1,200