Let Glasgow Flourish

City Chambers

Julia and I met at Edinburgh Waverley for our 10:15 train to Glasgow. We blethered away as the train sped through the bright yellow fields, arriving at our destination within the hour. I have always loved Glasgow and felt an affinity and connection from the first time I visited.

We readied ourselves for our day of adventure with cups of tea near the station and then we were off! Walking next to George Square, we popped into the gorgeous victorian Glasgow City Chambers to enjoy the beautiful mosaics. I have walked past the stately building many times but it never occurred to me to step inside. I was glad Julia mentioned the beautiful mosaic work and prompted our brief visit.

Keeper of Light by Smug

As we continued our walk through the city, we happened upon Keeper of light, one of the brilliant murals by Smug. I exclaimed “Wow!” as I simply wasn’t expecting the mammoth painting. Julia and I took photos of the arresting vision in red.

We then continued on our way to see the current exhibitions at Trongate 103. Once inside the building we encountered the moving and troubling images from Marc Davenant's - Outsiders.

Neuk Collective Together Apart

We made our way upstairs as we had specifically come to Glasgow to see the Neuk Collective Exhibition, Together Apart. It is a varied exhibition, with plenty of work across most media to see and experience. I especially enjoyed the interactive works. Tactile art has interested me since I created my Books series. There were loads of works in Together Apart that called for tactile investigation and communication - sound, colour, texture and a strong sense of play tie the exhibition together. This is the second Neuk Collective exhibition I have attended in person and I always get a strong sense of the thoughtfulness and care that goes into the planning and execution of the exhibition to make sure the experience is inclusive and accessible for as many people as possible.

We then visited Street Level Photoworks and Simon Phipps - Brutal Scotland: Scotland's Post-War Modernist Architecture. A brilliant photography exhibition of brutalist buildings, a style that I have only grown to appreciate in recent years.

We rounded out our visit to Trongate 103 with a quick dash through the Glasgow Print Studio’s current exhibitions, Janka Malkowska Wood Cuts and work by featured artist, Consuelo R. Servan.

I was thankful to be able to view these five very different but equally important exhibitions. Accessible spaces such as Trongate 103 that offer so many different media, expressions, and opportunities under one roof are critical and must continue to be rallied around and supported in times of crisis but also in our everyday lives. We must never take them for granted. Arts venues contribute to our well being, humanity, and build our communities. The importance of this cannot be understated. Solidarity to all who are working so hard and fighting to keep the doors open.

After all that art, we needed some food, so we walked down the road to Mono for a simple lunch of soup and some tasty focaccia. We followed this with a quick stop by Mr. Ben Retro Clothing for a wee browse.

Cult of St. Enoch by Smug

St. Mungo by Smug

Then we headed towards the Glasgow Necropolis. I have a thing for graveyards, and thankfully Julia likes them too. We wandered up the road towards the city of the dead as 50,000 people are buried on the 37- acre site. As we continued walking, we came across two more of Smug’s arresting murals, Cult of St Enoch and then later, Saint Mungo. All three of Smug's murals were a delight to happen across as we walked. Truth be told, I am not always a fan of public art or murals but these are special.

Glasgow Necropolis

Glasgow Necropolis

Before we knew it we were walking next to the Glasgow Cathedral (unfortunately with the cathedral spire under wraps for renovation) and crossing the bridge to the garden-like hillside Necropolis, with its winding tiers of towering monuments and colourful wrought iron mausoleum gates and views over the city. It immediately brought to mind Père Lachaise Cemetery in Paris which I visited twice during a four-day trip in 2016. I do love a cemetery! Julia and I slowly wandered up the hill looking at the various graves. I video called my mother to show her a few monuments, and gave her a dramatic reading of the script on the tomb of actor-manager John Henry Alexander of the Theatre Royal. I then showed her some of the ornate gates as well as the cathedral in the distance. Technology can be pretty wonderful at times.

Afterwards, Julia and I made our way back down the hill towards Queen Street Station and hopped on the train. We shared part of the journey back with two sleepy wedding revellers until we managed to find more private seats under a poster with a quote from a favourite Altered Images song,“I could be happy.”

We once again travelled through yellow fields and onto Waverley; another brilliant adventure in the books.

I could be happy...

You bloom in spring

my studio wall for my mother because she likes it

Spring has sprung! The light in the studio has been calling me. Even if I just sit and stare out the window or organise my materials, it's a better day. I love touching all the things - twine, hanging wires, screws, pencils, scissors, and all my various tools. I enjoy putting like with like and lining them up in order. I find it very satisfying. I found an Ikea peg board for £3 at a charity shop recently and was then able to source some 3-D printed hooks on Vinted very affordably that fit it. Good value and making things come together fills me with joy. The studio provides ample opportunity for this.

I hate tape but I have loads of it

This week I went through my painting rack and found at least nine canvases that I have decided no longer work. I asked a fellow painter to look over them as well to make sure I wasn't making any "rash decisions." I wrote that "one canvas might have a Lynchian promise, but many just feel unfinished - like forced thoughts that didn't materialise." I think they are all getting painted over and any photos of them removed from my archive. I haven't painted over anything in years - but now is the time again. Canvases don't grow on trees and I know I can paint something better or perhaps more meaningful than what is there currently.

I have been walking more this week and taking photos while enjoying the flowers and blooming trees. I also planted my garden - carrots, beets, radish, potatoes, onions, scallions, cabbage, broccoli, courgette, and loads of flowers. It's always a bit of an experiment. I don't worry about it much - I just see what works and what doesn't - no stress. Last year I was delighted with my potatoes and spinach. It's always a creative practice in my square foot garden. I'll keep you updated.

Yesterday, I had the unique opportunity of helping a friend and fellow artist deliver his and his partner's work to a prestigious exhibition. I really enjoyed the experience. It reminded me how comfortable I am around art - handling it with care and wanting it to look its best. Seeing all the work being unloaded from crates and packages in the gorgeous gallery space was a thrill and a comfort, and also a lot of work! It's a good feeling to be able to help someone and I got a lot out of it too. The experience reminded me of where I feel I belong and this is helpful so that I can compare it to the experiences where I feel I don't.

Princes street gardens

Later in the day, I met up with another artist and we enjoyed the sunshine in Princes Street Gardens which is bursting with Spring beauty. We had an important and good chat about art and life and made plans for an art adventure next week.

And on this gorgeous day, that's all I have for you. This post has been brought to you by the sun, a homemade blueberry Matcha, and one song on repeat.

Thanks for being here and please keep fighting for comfort and joy, for all.

Rest before the fall

rest before the fall

21 x 15 cm, mixed media on canvas

© 2023 Megan Chapman

Dear Reader,

Did you go to the UK cinema last weekend to see California Schemin'? If not, make plans to go soon. Hopefully this brilliant film will be released in the USA soon as well. Thanks to everyone who has been excited to see my painting in the film. Having your support and enthusiasm means a lot to me and it is so fun to share this experience with you all.

In other news, I had a bit of a full on week - a lot of "go-go-going" without much time in between things which I usually require and prefer. I am glad the week is behind me. It brings a somewhat gross but catchy song from my childhood to mind, and if you click this you will get to experience it too. 

In the few spare moments, I worked on finishing off a wee series of paintings from 2023 that I always liked but hadn't been able to complete. You know - the boring (but somewhat meditative) bits, such as painting the sides of the canvas, signing, dating, titling, and adding the hanging hardware. I decided I needed to photograph them again too as my previous images just weren't up to par.

It's a dark and textured series, a set of six small canvas works that were the offshoot of a larger series painted in that same year. I have a backlog of unfinished projects that I am trying to get sorted in between my other work and my desire for a bit of fun and a lot more rest.

I went back and read one of my early blog posts from 2007 and decided to take my own advice and I am glad I did. I was reminded that little by little the work gets done and action is always where it's at. A lot can be accomplished in 15 minutes and it all adds up. I am feeling good about the progress I have made.

So, that's how you find me, recovering from the week and taking everything 15 minutes at a time. 

holding everything dear

15 x 21 cm mixed media on canvas

© 2023 Megan Chapman

Until next week, keep fighting - the world needs you and the gifts you bring. Thank you for sharing your time with me. 

California Schemin'

In the time it takes
Acrylic on canvas, 46 x 32"
© 2020 Megan Chapman 

Today I had an amazing experience. I got to see one of my paintings on the big screen for the first time! I booked tickets for the first showing on opening day of James McAvoy's acclaimed directorial debut, California Schemin'.

I think I might have exclaimed "Holyyyyyyyyy Shiiiiiiiiiiiiit!" under my breath to my pal in the darkened cinema. Or maybe it was "Oh My God!!!" when the camera panned and my painting was right in the centre of the scene above the fireplace. This is the penthouse...

Screen grab from California Schemin' Promo
© StudioCanalUK © California Schemin

There it was, just for a few seconds, but a definite presence. My large abstract painting with its bold strokes of pink and black cutting across the canvas - the trappings of success: our Scottish heroes of the film, Silibil N' Brains, had made it big. I was so engrossed in the film that the sight of my painting caught me by surprise even though I'd spotted it in a promo clip on Instagram earlier in the week.

Something I painted is now in a major motion picture by a famous Scottish actor and now director, filmed in Scotland about two talented Scottish rappers from Dundee who adopt American accents to finally get their big break.

What this moment means to me is hard to put into words. As an American artist (now an American Scot) who uprooted my life to come to Scotland with so many unknowns before me, I am extremely proud to have my work be part of this film. I love everything about it.

If you are in the U.K. this weekend, go see California Schemin'! It's a captivating and wild story of talent and fierce determination, and a proud moment for Scottish cinema.

I know you must be tired

Book, Megan Chapman © 2019 

 
Where are artists supposed to make art? The art that is slow and takes time and tending to like a wild garden? The art that is messy and fucks up the floor and walls? The art that is political and angry? Where are the artists supposed to go for understanding and sanctuary when they don't fit into the touted creative economy of the commercially viable and sanitised? 

Where are artists supposed to show, when every opportunity is a speculative exercise in exploitation? 

Where do the artists get a foothold when accessibility is not considered and they don't follow the usual stilted art speak? Who is place making for them on the liminal plane?

Watching the light

Another place in time

Dear Reader, 

I hope the sun is shining where you are and that you are well and happy. I guess I enjoyed the community so much last week, that I caught the community cold. I have been resting, researching, and doing nothing at all and it has been much needed. I wish I didn't have to get sick or have a migraine for my body and brain to understand how important deep rest is. 

Going forward I must prioritise this. Without rest and self preservation, there is nothing. 

Take care until next week and thank you for being here. 

- Megan 

Your community is waiting

Cup of sun in the studio

The sun is shining through the window and onto my face. Daffodils smile at me from the jar on the table and I have a dreamy Hermanos Gutiérrez song on repeat on my big headphones. I sway to the music like a reed in water. 

Yesterday, I walked out the door and into the sun. I surveyed the pots in my garden - Daffodils, Muscari, Tulips, and Hyacinth all greeted me. The Lilac is preparing to leaf. I left my wee haven and walked on through the neighbourhood past the art school where two women were working on a large piece outside. I saw the shopkeeper who sells plants chatting with passersby. I walked on to the library where the friendly librarians answered my questions and cheerfully assisted me in my research. I left with two books, new information, and a spring in my step. I walked down the road past the glass artist working in her studio window and then on to the wee grocery, where we talked about celebrating the sun, enjoying our days, and the pleasures of good food. And then after being out in my neighbourhood for a couple of hours I walked back home. On my way, I shared a laugh with a young man enjoying a drink outside, and I found some street treasure. 

Street treasure: A box of 100 Flower Postcards from the Royal Horticultural Society

Later in the day I hit the neighbourhood streets again to visit my friends at their open studio event and met their friends too. We all had spirited conversations peppered with shared laughs and commiserations about art, life, and the way of things. I think alliances were forged or at least a recognition of kindred spirits. It was a good afternoon that turned into night. I left with art, new information, and again with a spring in my step.

It was a wonderful day full of everything I value and believe in. It was the type of day I dreamed about as a child when I played with my Fisher Price Village, read a Richard Scarry book, or watched Mr. Rogers' Neighborhood on PBS. We can never underestimate the power of community connection and interdependence.

Written on my studio wall: 

Protect your peace. Say No.
Say Yes to Art, Movement, Nature, and Community.
Create your world now, not later. 

So go outside and be weird, be awkward, be ridiculous, laugh loudly, say the wrong thing. Disappoint people. Find the people who won't be disappointed. Ask for help. Be vulnerable. Your one wild and precious life and your community is waiting.

Thank you for being part of mine