Showing posts with label promotion. Show all posts
Showing posts with label promotion. Show all posts

Friday, September 11, 2020

Needs must

I have been focusing on selling my older small works, studio sale works, works on paper, and my book works. Working on the promotional aspects of my art world than the making and doing. Honestly, I would rather be painting but I have to stand squarely in the reality that I need to sell the works I have already made so that I can survive and continue to work in the future.

The bottom line is I want to be able to continue being a painter and in order to do that, I have to sell some work. I am still paying rent on a studio that I have only been to about 4 or 5 times since the pandemic hit Scotland in March. I am not even sure if in the future I will be able to maintain or support a studio. Like many people, the virus is making me rethink a lot of things and to consider different approaches to living and working. 

The one thing that hasn't changed is that I have a strong belief in the power of art and I want more people to have access to my work. That is why I always have more affordable pieces along with the more expensive gallery pieces. 

I am grateful to all my patrons and supporters past and present that have continued to support my work, especially during these strange days.

Here are some of my remaining affordable original works for sale. Follow me across my social media channels to always stay up to date with sales and my available smaller works. I only post my larger canvas series on my formal website. 

Little anchors #2
15.2x15.2cm/6x6”
Mixed media on card
Framed in black, no glass
Signed and dated on the back
© 2019 Megan Chapman
£45 (free shipping in the UK)
to purchase email: megancha at gmail dot com 

An image of the same piece to show you the frame. 

Dark Sketches Transition # 2
Original, signed on the back
Mixed media on acid-free 300 gsm/140lb Watercolour paper
Mounted and ready to pop in a frame
10x8”/25x20cm.
£25 (free UK shipping)
to purchase email: megancha at gmail dot com


Isolated Moment #10
Original work on paper! 
Mounted and ready to pop in an 8x8"/ 20.x20cm frame
£20 (free UK shipping)
to purchase email: megancha at gmail dot com

Friday, April 17, 2009

Six Different Ways...


If you are an artist, hobbyist or someone who promotes things, or you just like to be in the know or "tuned in" you probably belong to or use several different social networking sites. This past Monday I decided to take a break from all of these sites and just see what it felt like to only check one blog, my email, and keep posting my daily photos on blip. Even that is enough to keep one busy, my usual routine includes two blogs, myspace, facebook, twitter, along with blip and my email, not to mention the countless other blogs I read and comment on.

So are you connected? You are? But are you connected enough? How much is too much? What are we gaining from this and what are we losing?

While trying to avoid these sites, I tuned into Pandora Internet radio and started working on my neglected "to do" list. If you must know, I was listening to the New Order station I created-and The Cure's 6 Different Ways came on, and I started thinking of it as a metaphor for social networking...

6 Different Ways © The Cure

This is stranger than I thought
Six different ways inside my heart
And everyone I'll keep tonight
Six different ways go deep inside

I'll tell them anything at all
I know I'll give them more and more

I'll tell them anything at all
I know I'll give the world and more
They think I'm on my hands and head
This time they're much too slow

Six sides to every lie I say
It's that American voice again
It was never quite like this before
Not one of you is the same

This is stranger than I thought
Six different ways inside my heart
And everyone I'll keep tonight
Six different ways go deep inside


I know I am grasping, and I know I could just talk about my experiences with social networking sites and be done with it, but I wanted to shake it up a bit.

If you really allow yourself to think about it, these sites are strange! If I was not promoting my art, my name, or the galleries that represent my work, I am not sure why I would be on them. However, I make my living from these things and I have been conditioned by the media to believe these sites are valuable tools so I use them. I agree that there are many benefits to online social networking. I have made some amazing connections, friendships, received valuable feedback, inspiration, emotional support, not to mention renewing old friendships and making money all while using these sites. People from around the country and the world know of me and my work because of them. At the same time, to fully utilize these sites it seems one needs to invest a lot of time and energy in the process. You get back what you put in and nothing is free.

There are now six different ways to contact me, message me, get in my head and even inside my heart. We witnessed the whole giving to the sick friend fiasco a while back all via social networking sites.Yes, it mobilized people and was inspiring but it also crashed at my feet and caused me tremendous worry and time loss. I am also a person who keeps all the conversations with people known and unknown inside me. I take them seriously and put a lot of time into my relationships with people I care about. Sometimes, keeping up with everyone on these sites can be a bit overwhelming.

Maybe the more I think about it, the more sad it makes me feel. On the one hand I have knowledge of so many brilliant artists and art lovers all over the world thanks to myspace, twitter and facebook, but I also have the unfortunate knowledge of what they ate for dinner, who is having a breakdown, who is bored, and often who is lonely, all sent to me in little tweets, status bar updates, bulletins, and comments.

Back to the lyrics, I'll give them more and more and I do, there have been times when I want to bolster, support, encourage, inform these complete strangers so much that I spend more time with them than I do dealing with my own issues, my own family, my own real life that sits behind me waiting for attention. I won't say, I tell them anything at all or that there are 6 sides to every lie I say but I will say I do present my best light and a controlled view of my life. You are getting my best self minus the "I eat too much when stressed and I haven't done laundry in weeks" and "I am feeling guilty for not cleaning more often" because that is not what you come here for or who I want to present publicly. Before I wrote a blog I would read other people's posts and feel completely inadequate, these people read good books, traveled places, had lots of friends, were sharing photos of the elegant meals they prepared. I didn't live that way and felt bad that I didn't. Envious that I didn't live up and then I realized...this was their spin on their life, their best self; edited, made witty and clever. Smart and crisp: an adventure perfect for a blog post. You start to even view the world as a series of stories you can tell, are you living them in the moment? Who cares- this is going to make a great blog post, bulletin, or status bar message. Look at me! Look at me! Then the year passes and you realize you haven't felt it- you just reported it.

It can be a seductive and dangerous loop. We put something out into the world, we want a reaction. We wait for the reaction. The reaction comes, and then we do it again and again, and not only on one site but on many sites, all the while continuously checking for new and better reactions, for more feedback. It is a game of call and response, and we become slaves to the machine.

This marks day five in my vacation from the space, the face, and the tweets. I feel alive and content in this moment and I have just reported it to you so it must be real.

It was never quite like this before
...


Friday, September 12, 2008

"I don't want to set the world on fire"























I was reading my old journals again, looking for inspiration for this blog post. I think the only solution for today is to go back in time.

In a previous post, I mentioned that my art created towards the end of my education was painted inside the pages of discarded books, and how much I enjoyed working in this manner. The works were small and on paper, created during pure inspiration and filled with stories and characters.

Today, I found my comment book from my 1999 B.F.A. terminal exhibition from the University of Oregon. Inside on the painted white pages, I let one sentence from the original text remain,
"I don't want to set the world on fire."

But, this is not true, and you know I already have the matches...

What follows is a spontaneous review of my show I found inside my comment book, written by my old friend Hayyim (Howard) Cohen. We worked together side by side in little cubicles selling the newspaper in a tiny downtown office, and became fast friends. He would share his New York Times Arts section with me during breaks.

Megan by Hayyim Cohen

"Combining subversive parody, red (life), black (nothingness) and white (blinding light), duct tape to shut out the noisy excess, upholstery tacks, and the dead bodies of obsolete technical books, Megan Chapman (see your dictionary- "Chapman" means seller) creates lyrical southern "talkin' blues" between the pages of discards (found objects) she collects from the free bins of the Smith Family bookstore in Eugene Oregon.

Providing at her B.F.A. commencement (the beginning of her life as an artist) a comfortable pink sofa with fresh green throw pillows, a little Gene Autry and "A Sunday Kind of Love" musical background for a gathering of "found" people who "read" her books often with whimsical smiling faces.

Megan nails the defunct corpses of old books (now frames for her poems and designs) on the gallery walls with the tacks she loves, this is interspersed with machine blowups of her photographs, which add a nice contrapuntal theme to the shards of books behind the sofa and on the coffee table. Megan is a southern woman and now she has a B.F.A. to nail to the wall when she goes home (tell your Maw,tell your Paw I'm gonna send you back to Arkansas-population 40,002). It is all here in the art, the depths of introspective experience, from one who knows how it all fits together in the package. It's a "found" life for the pack of us, don't you think? Megan has definitely found something...To do and to make a difference, and she does it all with southern hospitality to boot!"

I am so fortunate to have this nugget, and like the art closed up in those old altered books, I thought this needed to be aired out and shared. My friend, Howard did this on his own accord, and I am grateful for his tangents and details; his writing helps me to remember myself at that time, as well as the show and the atmosphere. His words bring back everything about the experience and are even better than a photograph.

Have you ever considered having someone write a piece about your art? Think about asking a friend or fellow artist to write a statement or a review of your work. Perhaps your friends have already left you helpful comments. Have you thought about asking them if you could edit and use them to promote your art? I bet many of you have these nuggets hiding in letters, emails and blogs, just waiting to brushed off and put out there to a larger audience.

Let's set the world on fire...

Take me here often
mixed media on paper
9x6"
Megan Chapman
Paper paintings only at ArtMaven