Nestled within

detail

I have just returned from another brilliant visit to Cyan Clayworks in the heart of Leith. Fiona and Chris have both been busy developing new bodies of work in preparation for their Edinburgh Fringe exhibition. It was a delight to see some of their new work, fresh from the kiln. 

As I have probably said before, I love having Cyan Clayworks in my neighbourhood. Fiona and Chris have created such a warm and welcoming space. It is a place where we usually talk about everything and nothing while sharing the wide variety of weirdness between us. 

Often, other artists drop by as well, adding to the atmosphere of camaraderie and connection. Today, artist Emma Sutherland popped by to say hello and to bring some promo materials for her upcoming group exhibition. "I have been here before" will be held at MOTE 102, and opens Friday 31 July from 6-8pm and then continues on from 1-9 August, and is open from 11am - 5pm. It was good to be reintroduced to Emma who I met years ago. I am looking forward to the exhibition. MOTE 102 is a great space that shows exciting and versatile work and is another gem in the neighbourhood. So if you are in Leith/Edinburgh or coming through town put both these shows on your calendar. 

I always feel uplifted and more connected to the bigger picture after a visit with Chris and Fiona in their beautiful space. They are genuine connectors - a vital part to any art space, scene, or movement. Thank you both for all you share and everything that you bring to the community. You make it look easy, but I know it is hard work. 

Tomorrow, I have plans to meet my good friend and fellow artist, Julia, for a wander around the city and we will see where we end up. There is usually art and tea involved. I am looking forward to it. I enjoy our art rambles tremendously. 

In other news, my project continues, I have just completed day 42. I am starting to overthink it, and I feel like bowing out at times, but the information gleaned from my time on "the project" can't be understated. It's powerful and leading me somewhere so I will continue to do it whether I am in the flow or not.

This week was also full of nostalgia. I am noticing time in a very concrete way that has stopped me in my tracks more than a few times. I think the project and all that goes with it has primed the pump for this sort of reckoning.

Slow, fast, slow, fast, gone. I think I am in the early days of the second fast.

I am learning a lot, remaining open, and staying curious which may help slow it down a bit or perhaps it just makes me more acutely aware of the fast, and how fleeting everything is. 

Time continues to fold in on itself and I am nestled within.
You are there too. 

X.

detail

Anchor to my days

Book two

I have now been engaged in my personal project in my studio daily for the last 5 weeks. As previously mentioned, this entails a string of rituals stacked on top of each other and practised each morning starting around 6am. This usually lasts several hours, and before anything else happens in my day. Everything in its right place - a certain order - a priority. This time is fused together by movement, music, writing and painting, study and meditation. Born from necessity, the essentials revisited. It is a meaningful anchor to my days and I will continue like this until it inevitably runs its course.

And she was

I had a lovely week 

I saw so many beautiful things 

I enjoyed good and cool people 

I learned new ways 

I made art 

I wrote 

I sang 

I danced 

I walked 

I cooked 

I practiced 

I read 

I laughed 

I studied 

I was in awe 

I was moved 

I was sad 

I was anxious 

I worked 

I trusted 

I was disappointed 

I was angry 

I accepted help 

I helped others 

I was vulnerable 

I was ridiculous 

I made people laugh 

I was perfectly imperfect 

I was alive 

Built on a foundation of ok

X

She can see it returning

Currently I get up at 6 am, put a few things order, and then get to work in my studio. I have been working religiously on a personal project for the past 3 weeks. Combining writing, drawing, painting, and collage as well as eastern philosphy and tarot. Brian Eno provides the soundtrack. It's a complete ritual and I am leaning into with everything I've got. 

This type of working is more inline with how I worked in the early 2000s before I had studios outside of my home and I am loving it. 

Things are starting to shift. 

This time in my studio feels a bit like the Tao. I don't want to write or speak too much about it, because words fall short and aren't it. But I see it. I feel it - I even dream it.

This is how it works. 

Hello beautiful green life. 

Hello joyful glowing heart.