Showing posts with label art galleries. Show all posts
Showing posts with label art galleries. Show all posts

Friday, September 25, 2020

Money Talk: Studio Update


As many of you know, I have not been using my studio space since the second week of March. However, I have paid my studio rent in full for March, April, May, and June. Thankfully the Drill Hall management offered studio holders 1/2 off our studio rent for July, August, and September which I made use of. My studio rent at the drill hall is £203.69/month (and includes wifi). As of now, in October I will be paying the full amount of rent again. 

To enable me to pay the rent as I have during this time, I applied for and received £600 from the Bridging Bursary Fund offered through Creative Scotland (almost enough to cover 3 months of studio rent). I also applied to and was accepted for a commission to create a short studio video visit to represent and promote the Drill Hall along with my friend and fellow drill hall resident Mairi Brown for the Leith Late Virtual Studio and Mural Tours. This wonderful opportunity thankfully paid £200 - again, almost enough money for another month of studio rent. I have engaged in my own personal fundraising, raising another two months of studio rent on my Ko-fi site, a place where patrons can support artists. I am so thankful for all of this support and am delighted to have worked on something with Leith Late as I have wanted to for years now. 

I applied for and received both self-employment grants from the UK government and will apply for a third much lesser grant when it becomes available. During this time, I have been actively promoting the galleries that represent me, while also selling my art directly to my patrons online to sustain myself. During these strange days, I have been focussed on promoting more affordable originals as well as prints as I know most folks are being as frugal as possible just now. I participated briefly in the artist support pledge on Instagram as well. I scoured the internet for other funding sources and grants, applying for two grants that I sadly wasn't chosen for, and I also applied for an art tutor position that I also didn't get. So as you can see, I am taking action steps to stay afloat during this time as are many others. It's obviously quite competitive out there just now. 

I currently live about an hour's walk away from the studio or a 20-minute bus ride and the distance does, of course, hamper my ability to access my studio even when the building itself is now relatively safe with the new COVID measures in place. I have been in my studio once in July, once in August, and twice very briefly in September - as you can imagine paying for the studio and the wifi, while not using it, will eventually become unsustainable. I want to keep supporting the Drill Hall. I don't want to give up my studio and I also don't want to go into deferred debt (ie: a rent holiday which is another option the management has offered). I wrote the drill hall hoping that perhaps the half rent scheme could be extended or some other measures put into place while I and many others continue to work mostly from home solely as self-employed artists.

I appreciate that we are all struggling and I hope the Drill Hall has been the recipient of various government grants and other means of support as it is an asset to the community and one that I am proud to be a part of, long may it last.

I have been thinking about the future and other ways I can adapt even more with the ever-changing situation. After a productive spate of painting and drawing over 45 pieces from home since late March I haven't painted as regularly. The two main reasons for this are; firstly, the novelty of making smaller more controlled works in the corner of my living room is wearing off and secondly, with a good selection of paintings at a variety of prices, small works, and now prints, I need to sell some more work before I invest more money into making new work. This second reason and feeling will change because ultimately I make work to express myself and not only to make money. I have done well with this time and have expressed a lot and luckily sold a lot as well - which I am immensely grateful for. So more likely this is the classic ebb of the work and not me just digging in my heels. Regardless, I really do need to think of the viability of the studio in the future. 

Thank you to everyone who has bought a painting, small work, or print online, gotten in touch about a commission, or donated a cup of coffee, or sustained me through regular subscription donations. Thank you to the two patrons that bought refugee pieces during this time so I could donate money to a great cause and get two more bikes on the road. Thank you to a dear friend and patron who bought my ailing cat some prescription food and another dear friend and patron that helped to keep me in materials and regular donations during this time. Thank you to Jennifer and Tamsin my two monthly subscribers on Ko-fi. Those regular monthly amounts are extremely helpful! Thank you. 

All of you are keeping me afloat as well as the drill hall studio rent paid. And I know many of you are struggling too. 

I am thankful for you. I know I have been behind a bit in the blog lately and certainly in the Tuesday Studio Video Visits, but I plan to get back in the swing of things, so keep tuning in and watch this space! 

Anyway, again - I would rather write about the colour alizarin crimson or the tooth of the paper or canvas but sometimes, we just have to get real and talk about money...

Until next time, keep fighting! The world needs you and your art, your care, and the light you bring. 

get your prints and small originals here
help support my work one cup of coffee at a time

Friday, November 10, 2017

Connection

New exhibition news!

I am delighted that there has been a flurry of exhibition activity of late. Delighted is really too twee of a word for it. I have been ecstatic! The past three years here in Edinburgh have kicked my arse. Any of my closest friends would tell you this much. So, if you don't already, please consider yourself close. There is so much more to moving across the world and starting one's life over than I ever dreamed. I am glad I don't always have the best grasp of the seriousness of what I am trying to do in this world or I probably wouldn't do anything.

I woke up this morning thinking of my recent good fortune and how hard I have worked for this return to normalcy here in another country. The return of energy spent trading out and creating new paintings for multiple galleries is not something that just picked up where it left off in the states. This a bigger city than where I am from; this a cultural capital of Europe. I arrived pretty much unknown on these shores, but things seem to be looking up. I am grateful.

With that said, I am thrilled to be part of the upcoming December group exhibition, Connection at &Gallery on Dundas street in Edinburgh. I have long admired the aesthetic of &Gallery and their impressive stable of artists, to be included is an honour. Dundas street in the New Town is known for its high caliber galleries in Edinburgh. This is a big moment for me. If you are in the area, please make plans to attend the opening, Saturday, December 2nd from 2-4pm. These are the two paintings I will have in the exhibition.

Only to hold you
40x40x4cm/16x16x1.5"
Mixed media on canvas
© 2017 Megan Chapman

To tell you everything
40x40x4cm/16x16x1.5"
Mixed media on canvas
© 2017 Megan Chapman

Currently, my work is on exhibition through the 25th of November at Union Gallery in the West End and through February 25th at the Velvet Easel in Portobello. In hometown exhibition news, The Fenix Collective group show just opened last night in Fayetteville, Arkansas at The Chancellor Hotel and will be up until January 9th. I am so pleased to be able to grow these Scottish connections while I keep nurturing the ones back home as well. Thanks to everyone that takes a chance on my work and provides these wonderful opportunities.

If you missed it, here's a timely Tuesday Studio Video Visit. I talk about my perverse joy in finding hair and other gunk stuck to famous artists paintings while battling the same issues with my own work. Strangely, also this week, an article came out about a grasshopper found in a VanGogh. I've always said I'm a little bit psychic (and a little bit rock n roll).


Throw a website update into the mix, and that's all I have for you. Until next week, keep starting over, taking risks, and getting your arse kicked. Keep fighting and enjoy these beautiful moments. The world needs you, and your art.

Friday, September 26, 2008

Success: What is it?



Are you a success? Am I? How do we know if we are or not? Should it matter? What does success mean anyway? There is the textbook definition, but then there is what it means to us personally. Our personal success can be loosely defined, a floating feeling or it can be measurable and marked by certain milestones. As we work through our art and grow into our process, our personal ideas of success will hopefully change and grow just as our work evolves over time.

Is success about money, acclaim, a studio downtown, or is it about leaving our mark in the hearts of people who come across our work? Is success quitting the day job and painting full time?

Success for some, could be as simple as believing in themselves enough to not flinch when they tell people they are an artist. Success is so personal and abstract, yet at the same time we may tell ourselves stories about what it should mean, making it rigid and unattainable.

When I was much younger, I thought success was to have a simple life of my own creation, free of complications, while being able to see as much live music as possible and just being happy or just having fun. A very loose definition. Then as an art student, it became about getting good critiques and respect from peers and professors, and an occasional showing of my work with no expectation of sales. After school, success became about getting into juried shows, getting more exhibitions on my resume, and finally taking a risk and deciding to quit my job to focus on my art. The focus still wasn't on selling, but on building my body of work, name recognition, and additional lines on the resume. After a couple of years, naturally the next step was the gallery route, this is where my personal definition of success got fuzzy. Success here becomes more rigidly defined as I entered into business relationships with various galleries, this brought on an all new set of rules, expectations, demands, and of course pressures to sell, to have a viable product. This wasn't necessarily created by the galleries, but by myself within the gallery structure. I experienced a heightened sense of being a professional and being responsible not only for myself, but to the galleries taking a chance on me and my work. 

It has been suggested at times, that I might want to re-evaluate my personal definition of success, so that I can gauge my progress and celebrate my milestones along the way. However, I find myself a bit stumped. I have at times, lost sight of what my original purpose was, or what I truly desired when I first started showing my work. Not uncommon, I fear it happens to us all. 

Is success a certain number of paintings created in a month or a year, or a certain number sold in that same time period? Is it earning a specific yearly dollar amount? Is it painting consistently even if only a few times a week? Is it being picked up by a major NYC gallery, having a solo show and selling out on opening night? Is it being on the cover of an international art magazine? Perhaps it is simply having lots of adoring MySpace fans from all over the world. I don't really know the answer. 

So, I am asking- what is success for you? 
Please share your ideas with me in the comment section.

For more information about me and my work and the galleries that represent me, please visit my website www.meganchapman.com 
For my affordable small works on paper please visit www.artmaven.etsy.com

Pictured above
Hover Like Ghosts
Mixed Media on Canvas
40x30" $1,200
Megan Chapman 2008
Currently on display at the River Market ArtSpace
Little Rock, Arkansas






Friday, September 5, 2008

Pace is the trick...and she's back!














Hello Dear Readers!

It is September 5th and I am so excited to be here with all of you! I missed you all very much, and thought of you every Friday. However, I did make good use of the 3 weeks we were apart. I hope you did too.

Oh, where to begin...there were books, films, bike rides, photographs, friends, family (a newborn nephew), drinks, of course music, yoga classes, vitamins, ups and downs, new plans, directions and of course new paintings. I wish I could make the sound of a needle dropping on a record, (imagine that sound for me, okay) ? What did she say...New plans, directions, and of course new paintings!?!?

Alright, here we go.. I said I would come back with a BANG, and I don't like to disappoint.

After much careful thought and consideration, research and guidance ( thanks to the amazing Michele Maule). I am excited to announce my own little shop on Etsy.com!!! My shop is called ArtMaven, and I view it as my laboratory, where I can explore new mediums, techniques, and ideas on the smaller scale. My Etsy shop will only offer my small paper paintings/studies. These are not available in galleries.

I decided, I needed a low pressure way to maintain my enjoyment of painting. I have always believed in the power of original art and I want to share my work with as many people as possible, and at many different price ranges. Showing some work on Etsy seems like the perfect solution.

My paper works are painted on sturdy 140lb. gessoed Arches paper and are ready to frame. They come in two sizes, the larger size is 9x12" and sells for $40.00. The smaller size is 6x9" and sells for $25.00. I have also kept shipping reasonably priced as well. I want my friends, from around the block to around the world, to have a piece of my art if they so desire. I also list all the galleries that represent my larger canvas works, so that people can learn more about my larger paintings as well, which are still reasonably priced at $275-$2,200. I think this will be a win-win situation for everyone involved.

I really enjoyed painting these smaller works on paper, and I hope you will enjoy taking a look and perhaps buying one for yourself or a friend. If you have any questions about the work you see on Etsy, don't hesitate to ask. I must say, I was very encouraged when I first listed one of my paper paintings on Etsy, and it was purchased by a person in Canada within 3 minutes!

I am so happy to share this new adventure with you...



In other news, I also created six new larger paintings on canvas! I had started working on a few of these right after my recent exhibition, The Evidence of the Disappearance ended. These works took some extra time and care to settle and get sorted out, or perhaps that was just me. I am very pleased with these new paintings. These are not in the galleries yet, but most will be released into the world soon. For my devoted blog readers, a first look.

Pictured above is one of my most favorite paintings ever, and it is already spoken for. This piece will be traveling to a collector in England soon.
The Games We Play, 20x16"
Mixed Media on Canvas
2008 Copyright Megan Chapman

Spaces to Keep
30x24"
Mixed Media on Canvas
2008 Copyright Megan Chapman

Things Stolen and Misplaced
30x30"
Mixed Media on Canvas
2008 Copyright Megan Chapman

Excavate
20x16"
Mixed Media on Canvas
2008 Copyright Megan Chapman

Hover Like Ghosts
40x30"
Mixed Media on Canvas
2008 Copyright Megan Chapman

She Sleeps Underwater
20x16"
Mixed Media on Canvas
2008 Copyright Megan Chapman

So, that is what I have been up to. Thanks again for reading my blog, leaving comments, supporting and encouraging me and my work. It means more than you will ever know. Have a wonderful weekend. See you next Friday!