It's a found life for the pack of us

Book. 2019. Available £150

As I mentioned last week, this month I am focussing on my Book Series. The book series was created in 2019 as a follow-up to the original books that I created to earn my BFA in Painting and Drawing from the University of Oregon in 1999. 

I thought it would be fun to share the following review of my exhibition from back then. The last time I shared this was in 2008, so seems like it is time again. 

What follows is a spontaneous review of my show I found inside my comment book, written by my old friend Hayyim (Howard) Cohen. We worked together side by side in little cubicles selling the newspaper in a tiny downtown office and became fast friends in the 90s in Eugene, Oregon. He would share his New York Times Arts section with me during breaks.



Megan by Hayyim Cohen (written in 1999)

"Combining subversive parody, red (life), black (nothingness) and white (blinding light), duct tape to shut out the noisy excess, upholstery tacks, and the dead bodies of obsolete technical books, Megan Chapman (see your dictionary- "Chapman" means seller) creates lyrical southern "talkin' blues" between the pages of discards (found objects) she collects from the free bins of the Smith Family bookstore in Eugene Oregon.

Providing at her B.F.A. commencement (the beginning of her life as an artist) a comfortable pink sofa with fresh green throw pillows, a little Gene Autry and "A Sunday Kind of Love" musical background for a gathering of "found" people who "read" her books often with whimsical smiling faces.

Megan nails the defunct corpses of old books (now frames for her poems and designs) on the gallery walls with the tacks she loves, this is interspersed with machine blowups of her photographs, which add a nice contrapuntal theme to the shards of books behind the sofa and on the coffee table. Megan is a southern woman and now she has a B.F.A. to nail to the wall when she goes home (tell your Maw, tell your Paw I'm gonna send you back to Arkansas - population 40,002). It is all here in the art, the depths of introspective experience, from one who knows how it all fits together in the package. It's a "found" life for the pack of us, don't you think? Megan has definitely found something...to do and to make a difference, and she does it all with southern hospitality to boot!"

I am so fortunate to have this nugget, and like the art closed up in those old altered books, I thought this needed to be aired out and shared. My friend, Howard did this on his own accord, and I am grateful for his tangents and details; his writing helps me to remember myself at that time, as well as the show and the atmosphere.

Hope you enjoyed this review from the past. Have a lovely weekend. 

Book. 2019. £150

Tell it like it is- I can take it...

Part 1: Thanks: and the hanging of a new shingle

Thank you to everyone who viewed "Gathering the Evidence" as I write this my little film has been viewed 262 times, and that is pretty sweet. The feedback I received was very helpful and inspiring.Thank you to new friend and talented photographer Craig Nelson who also viewed the video and was moved enough to want to come over and see the paintings in person.We had a wonderful visit, and he took a lovely photograph of my studio. I love making these connections, and creating this community. Craig and I share many of the same ideas about sharing information as artists, so be sure to check out his blog- Shutter to Think, and his wonderful photographs. I was thrilled to find myself featured in his blog as well. Speaking of being featured in blogs, it was a two blog week for me, as I also found myself mentioned and some of my work featured in artist Stephanie Mallicotte's blog. Check it out. It is always exciting to be thought of and included in people's blogs. Thanks for the publicity and support!

I want to mention a brand new service I am offering. I am now available for online portfolio review/consultation. I get approached quite often on MySpace for this kind of service. Send me an email or message with a link to your painting portfolio or questions about your art, and for a $25.00 suggested donation sent to my paypal button here on my blog, I will spend an hour poring over your work( up to 20 pieces) and then give you a list of positives, cautions, and then specifics about each piece. I am very detailed and efficient at this, and I promise as an artist myself, I will be encouraging but you will also get some honest feedback. Once I email the review to you, if you have a few short follow up questions in regards to things I mentioned that is also included in the $25.00 donation. I also encourage folks to read back through my blog, as there is a lot of free helpful information available, you just have to dig for it a bit.

Part 2- Studio News: The Evidence

The work in the studio is going well. I have been hard at work on 2 24x30's and 2 30x24's this week. Moving on to the larger works for the exhibition, things will start to slow down now. Some titles have emerged such as Chatter on the Lines, Caught Between the Disconnect, We talked like Dancing Feet and These are not my Secrets. I hope to create another short film as the work for the Evidence of the Disappearance continues. If you are in Arkansas or close by save the date and come to the Blue Moon Gallery in Hot Springs for the opening reception on Friday, June 6 from 5-9pm

Part 3- What you came here for: A good story

The following quote was written in a moment of clarity 1/4/06 ( yep- we are briefly going back in time again)

"I am a painter. So deeply I am a painter. It makes me want to cry. How can I forget so easily? How can I let myself go without working? Not much brings me more pleasure or happiness. It is earned as this is not easy, no matter how many times I pretend or let myself think it is."

Occasionally, I have to remind myself. I needed to write this down a little over two years ago, and in the future I will write it down again, and it will be like a brand new discovery. I am a painter, yet I know I will forget. Do you forget sometimes? Do you push it aside, burying it under practicalities and the time frames of your life? Do you get discouraged and veer off course?

Some perspective for us both; my first solo show was in a popular local hippie "health food" restaurant in Eugene Oregon, in 1997 just a bit over 10 years ago. I want to share my statement from that show. ( Click on the picture to make it bigger) At the time, as you can see I was just going for my BA at the University. I remember the BFA seemed out of my league at the time. I am so glad I changed my tune, as once in the program I soon learned the F stood for FUN, and I experienced a new side of the art department, and explored all aspects of my creativity. If you read my statement, my main goals were to simply finish school, show and sell my art and move back home to open a "junk store"( it was to be called Finders Keepers- and sadly that hasn't happened, yet...) Looking at this statement, I can't believe I would show a body of work without any titles, as titles are so important to me now. I was so jazzed about this series of work ( my heart pod series) It was in creating this body of work that I became an oil painter and learned a lot about color and texture.

I tied a small spiral notebook to a hook in the wood paneled wall of the restaurant to gather comments about my work. In the front of the book I wrote among other things..."Tell it like it is, I can take it"

So, they told me... You can read a few of the comments for yourself.There were a few positive ones, if you count " Jesus loves you- Megan, " and "Demon painting is the best- I love it" Needless to say I did not sell a single painting from this series of self proclaimed masterpieces, during this show or ever.

My first solo show would basically be considered by many a flop. For me it was the experience that mattered- or at least that is what I told myself.

The show ended and I collected my work and my sad little comment book of scribbles, from the restaurant.I guess you could say, I had some things to consider.

I could've become sad and apparently even more depressed and quit right there.

I could've decided to fulfill the basic requirements for my degree, considered myself a hack and gotten the hell out of there.

Or, I could laugh at it all, chalk it up to experience, resume building and keep looking for other opportunities to show. I am sure you know what I did. If I hadn't, I wouldn't be writing you this blog, preparing for a show, have gallery representation, not to mention collectors across the country.

Time line (a little more perspective)

• 1995 first group show
• 1997 first solo show in restaurant
• 1999 BFA awarded: terminal books project
• 2002 received cash prize at juried art show
• 2003 first major sale
• 2004 first gallery representation
• check my resume at www.meganchapman.com for what happens next...
  

This is not an easy career path- especially when many artists have other jobs, families, and real world responsibilities but if you know that somewhere inside you, your art brings something to your life that nothing else quite does, then I encourage you to stick with it no matter what. Keep building your resume, keep putting yourself out there, keep working on your art, and then don't forget to look back and remind yourself how far you've come.

Remember, "I am a painter. So deeply I am a painter. It makes me want to cry. How can I forget so easily? How can I let myself go without working? Not much brings me more pleasure or happiness. It is earned as this is not easy, no matter how many times I pretend or let myself think it is."

Onward and upward and good luck!