AI explains things to me

Scales are not tipped in our favour
Megan Chapman 
2021

I asked AI to please discuss late-stage capitalism in relation to artists on Instagram. 

—

Late-stage capitalism has had a significant impact on artists, particularly those on platforms like Instagram. On one hand, social media has provided artists with unprecedented opportunities to showcase their work, connect with audiences, and gain exposure. Platforms like Instagram have allowed artists to bypass traditional gatekeepers and reach a global audience, potentially leading to increased recognition and economic opportunities.

However, late-stage capitalism on platforms like Instagram has also brought challenges for artists. The emphasis on metrics such as likes, followers, and engagement can create a competitive environment that prioritises popularity over artistic integrity. Artists may feel pressured to conform to market trends or create content solely for the purpose of generating attention and engagement, potentially compromising their creative vision.

Moreover, the monetisation of artistic content on Instagram can be complex. While some artists successfully generate income through sponsored posts, collaborations, or selling their artwork directly, many struggle to make a sustainable living. The platform's algorithms and advertising-driven nature can make it difficult for artists to gain visibility or receive fair compensation for their work.

Late-stage capitalism's influence on Instagram also highlights issues of exploitation and commodification. Some artists may face the challenge of their work being copied, plagiarised, or exploited without proper credit or compensation. Additionally, the pressure to constantly produce and share content can lead to burnout and the devaluation of artistic labour.

In summary, late-stage capitalism's impact on artists on Instagram is a complex and multifaceted issue. While social media platforms provide new opportunities for exposure and connection, they also bring challenges related to commercialisation, competition, exploitation, and the potential dilution of artistic expression.

*It's not lost on me that the AI has most likely plagiarised and cobbled together a lot of other artists and writers' words on this subject. We also have to consider the biases of the programmers. However, I thought it was an interesting exercise and it is a subject I spend a lot of time thinking about.*

Remember folks, often exposure is code for exploitation. Just Say No! Until next week, keep fighting, and I will bring you new words and images from my own brain.

Thank you for being here.

Exhibition News! Outside + In

EXHIBITION NEWS! 

Join us for Outside + In featuring the work of the Out of the Blue Drill Hall makers and artists.

The exhibition will be held from the 15th-20th of May 2023 from 10am-5pm, with a reception on Wednesday the 17th of May from 5:30 - 7:30pm. The Out of the Blue Drill Hall is located at 36 Dalmeny Street, EH6 8RG. All are welcome!

Here are just some of the participant's Instagram handles (check them out, give them a follow, and come to the show and see the work in person and meet the artists!). There is sure to be something for everyone and a fun and easy-going scene. See you there!

@hamillustration
@bethanyillustration
@mairimacsweendesigns
@timbremnerart
@catherinegiselleart
@megan.chapman.artist
@jesscrisp1
@cam_life_designs
@preciousmetalsworkshop
@mandmcgrattan
@twincitypictures
@aoife_in_leith
@mapplyco
@felicityinkpen
@danmurrayartist

I will be showing a selection of works from my series, "Our Favourite Mistakes." 

For what it's worth
Mixed media on canvas
61x76cm
© Megan Chapman

A place to breathe
Mixed media on canvas
61x76cm
© Megan Chapman

Our favourite mistakes
Mixed media on canvas
60x76cm
© Megan Chapman



You wouldn't just let it burn
Mixed media on canvas and white wood frame
70.5x86cm
© Megan Chapman

As some of you may have noticed, I fell behind on my blog and I haven't been using social media that much with all that has been going on in my life. I have now caught up, so please go back and read the previous posts you may have missed. Thank you for your support and care and for those that have checked on me.

Here is an easy clickable list of those entries.
Friday, March 10, 2023: See you later
Friday, March 17, 2023: Rest in Power
Friday, March 24, 2023: Looking Back: Ghosts of the Past
Friday, March 31, 2023:Radical Dreaming in Art for a Better Future
Friday, April 7, 2023: I shared this one on social media and many of you read it.
Friday, April 14, 2023: I shared this one on social media and many of you read it.
Friday, April 21, 2023: In this World
Friday, April 28, 2023: My Warrior, My Champion is Gone
Friday, May 5, 2023:  Without an Anchor
And then today (this post). 

Thank you for reading and for your support. 

If you are local to Edinburgh, I will be sitting the above-mentioned Outside + In exhibition from 3-5pm on Monday and Wednesday and also attending the reception on Wednesday night from 5:30-7:30. It would be lovely to see you there.

Auction, Art, Action

I am catching up after a bit of a pause and delay, so if you missed the past two blog posts they are here and here.

A good reason to post a blog this week is to promote an important auction I am participating in. The benefit auction has been organised by a friend and fellow artist from my school days back in Fayetteville, Arkansas, the brilliant jeweler Flannery Grace Good who is now based in Kansas City. The auction is supporting two charities, the ACLU (American Civil Liberties Union) and the NAACP Legal Defense Fund (The premier civil rights law organization in America). The winning bidder will get to choose which charity they will donate to directly, with 100% of the funds going to the charity. 

For this event, I donated an artist's proof of my (soon to be released) limited edition giclee print of my Accidental Portrait #17 (Fuck) on heavyweight archival matte paper (220gsm/81lb) signed in pencil. A3 sized/11.7×16.5" The bidding started at $65. The auction started Thursday, June 11 at 8pm CST and ends Sunday, June 14 at 8pm CST. So there is still plenty of time to have a look at not only my work (which as of this writing is currently going for $150) but also all the other wonderful items offered by artists all around the world. 

The auction is happening over on Flannery's Instagram page with instructions on how to bid in her feed. Please go check it out and support these vital organisations. Well done to Flannery for organising this, no small task at all. I am honoured to be able to participate. Let's try to raise as much money as we can. Thank you. 

My offering. I am very pleased with the colour and quality of the reproduction.
Stay tuned for more information about my upcoming print release!

In other news, I have been doing a bit of drawing and a bit of research for a new body of work or at least some preliminary sketches towards something new... only time will tell if it fully materialises. 

In continuing actions, besides signing more petitions and having more conversations, reading, researching, and listening, I participated again in the UK wide call to action to protest wherever you were, doorstep, street, garden, or a socially distanced group protest to take the knee and or stand in solidarity with the Black Lives Matter movement. I took the knee and stood outside on the road with my hand-painted sign Wednesday night at 6pm and was approached by a bewildered and slightly confrontational "all lives matter" white man. We talked for a while and then he seemed to understand and peacefully walked away. I thanked him for coming to talk to me.

Go check out the auction. Next week, we will talk about the print release among other things. Keep fighting and talking. Thank you.