2024: Year in Review

Hello Dear Readers, 

Well, here we are again, my annual year in review post. I am already struggling to sit still and focus (it has taken me 2 days to finally get it done). This is an important post for me to write so I can actually see and feel what I did. As I always say, this post is more for me than for you so if you reach the end, then gold star all the way! I feel like this year's post may be quite a bit shorter than some. My relationship with my art has changed so much post pandemic. Like many of you, I feel like I have been navigating a lot of complex experiences and many of the things that used to push or motivate me ring a bit more hollow or just don't work like they used to. So much in my life has changed in these last few years and the way I navigate it is changing too. So let's begin.

Job: I am the Rep Coordinator & Caseworker for the Scottish Artist Union. I completed the SAU Rep Training Program Obair 1, 2, and 3 in 2022 and 2023, concluding with the Rep Residential in Crail in March of this year. I have been working as a Rep with the Union since June 2023 and in June 2024, I became a member of staff in my current role. 

It's an honour to help our members navigate the challenges that we all face across Scotland's visual and applied arts sector. I feel so fortunate to do work that is important, meaningful, and within my field, as part of a trade union. I also feel lucky to work alongside my union peers in the rep team, staff and learning teams, and our volunteer executive. We are a small team, working part time and mostly remotely while pursuing our own art practices and other projects. If you are a Scottish artist and haven't yet joined the SAU, please consider joining your union and getting involved! We are stronger together!

SAU and Related Learning Programmes/Events Attended: 

Negotiation Training: Francis Shennan and Joshua Becker

Structurally F–cked: Juliet Jacques in conversation with Industria

When what you get is not enough: SAU’s Political Education Pilot Event 

Funding for Artists Open Meeting: Applied Arts Scotland, Engage Scotland, Scottish Artists Union and SCAN

Introduction to The Inklusion Guide: A kickass guide to making literature events accessible to disabled people: Julie Farrell 

Cyber Security Knowledge Refresher: Craig Steele, Digital Skills Education

Improving Effective Voice, Equality, Fair Work and Health and Safety Rep Course with Scottish Hazards & STUC (the first 2 parts of a 4 part course)

Basic Income for the Arts in Ireland: What have we learned after 20 months: UBI LAB & BASIC Income Ireland

SAU EGM

SAU AGM

Associated Union Actions: 

Mass Vigil for Justice for Sheku Bayoh: STUC: Festival Square Edinburgh

Stop the Culture Cuts Demo: Equity: Scottish Parliament. 

Art Work: I created a huge overarching body of 307 pieces of work on paper consisting of multiple series from my home studio space. I just looked through them all after another long period of inactivity. I am gobsmacked. You have only seen a fraction of these small works. As they are mostly on very delicate paper I am not always sure how to present them. I can't wait for you to see some of these pieces. They really seem suited for a book or reproductions. This right here is why I write this blog for me. I have been feeling like I have not really given my painting enough of my time and energy this past year. I stand corrected. I feel these are some of the strongest and most personal works I have created in a long while. They are small and they are on paper and many of them feature drawing, writing, and mark making as much as painting and they were all created in my home. Oh, the brain plays tricks. 

What I haven't been doing is making them all shiny, presentable, and for sale. I haven't been updating my social media accounts regularly with them either. This year has been about making art for art's sake, the way it was intended. I was able to do this by being supported through my work with the union, a few art sales, my ko-fi patrons, and through other means.

Art Sales: I sold 5 originals to 3 patrons (4 originals on paper and 1 large original canvas). Thank you, Malcolm in Scotland and Jeanne and Jennifer in the United States for supporting my work at the start of the year. I appreciate you more than you can know. 

Gallery Representation: For the first time in 20 years, I am not represented by any galleries. I was represented by Solo Gallery in Innerleithen until July of this year but sadly, Kate decided to close up shop. Another loss for the Scottish Art Community, and especially for the Scottish Borders. Best wishes to Kate - a proper gallerist and a joy to work with.

Art Rental: Well, this is some news that I haven't yet shared, so you are hearing it here first and I have buried the lede. One of my large abstract paintings will be appearing in a film! My painting "In the time it takes" will be in California Schemin' - James McAvoy's directorial debut. I am looking forward to seeing the film and we will hopefully be able to catch a glimpse of my painting. Now, I can say my work has been used in television and film!

Art Licensing: I happily accepted a contract with Image Conscious, one of the largest wholesale art suppliers worldwide, they sell exclusively to retailers, art consultants, interior designers, frame and poster shops, speciality shops, and wholesale framers. In business since 1980, their collection is comprised of some of the world’s finest contemporary artists and photographers. You can read all about that here. If you enjoy my Echoes and Memory series, which is still one of my favourites, and you are looking for quality Megan Chapman prints for an office, restaurant, or any interior- then this is a great option. They even offer framing. If you buy the reproductions through Printano - they offer worldwide shipping and you can purchase in your own currency. 

Art Exhibitions: I participated in 1 group exhibition at the Out of the Blue Drill Hall to celebrate the 30th anniversary of the space. I also marked an anniversary this year -  I have now lived in Scotland for 10 years and I have had my studio at the Drill Hall for 10 years too!

Studio: There were no formal open studios this year at the Drill Hall. I found this very unfortunate, as that is one my favourite parts of having a studio. I miss being able to connect with the public. Regular open studios are also one of the most lucrative ways for artists to make money.

Unfortunately the rent was raised for the studio in December. Currently, I am able to keep my studio due to sharing the space with 2 subletters and the fact that I have 5 regular patrons who graciously support me monthly to offset some of these overhead costs. I know many artists across Scotland are facing this same dilemma currently. Do we stay or do we go? You can read a popular post I wrote about this issue, here.

Home Studio: Thanks to my pal and supporter Annie Milovic for helping me walk home an easel from my studio at the Drill Hall, as well as grab another piece of found furniture off the street and into my flat so that I could create a new home studio space this past year! These 307 !?! pieces would not exist without her kind offer of assistance and a friendly nudge back in January. 

Kofi Patrons: Currently, 5 amazing women regularly support my work and help me to offset my art business overheads. Thankfully, each month I am supported by Jennifer Libby Fay, Tamsin Haggis, Jennifer Douglas Arbuckle, and Annie Milovic and posthumously by Pat Bremner. Thank you all so much. Thank you also to my three one-off supporters this year, Ash, Kev, and Paul. Consider becoming a regular supporter or just leave me a tip. It all adds up and really makes a difference! 

Speaking of supporters, my dear friend and great patron, John Kay died earlier this year. I couldn't bring myself to talk or write about it as it seemed so sudden, shocking, and awful at the time, and honestly it still is. John supported my work, my spirit, and was always good for a laugh, musical comradery, and a funny Billy Idol meme. His passing threw me for a loop in the spring that took me awhile to come out of. I will endeavour to stay free, my friend, but it's a bit harder and less fun without you here. Sending love to all his friends and family who may happen across this post - and especially to his dearest daughter, Kirsty. 

Friday Studio Blog: I posted 52 weekly blogs. Thank you for checking in here. At first the posts were mostly selections from my works on paper and then we started to pick up speed towards the end of the year and the words came pouring out. I am proud of some of my writing this past year. 

Tuesday Studio Video Visit: Oops! I recorded none! Do I bring these back in 2025 from my new home studio space? Hmm.

Archive: I did manage to update and add some more pieces to my Archive. I will continue to work on this and let you know when it is in tip top shape. There is just so much work - we can see why...

Artist's work I collected/supported: Jenni Douglas, Fiona Thompson and Chris Donnelly of Cyan Clayworks, Victoria Ross, Ailsa Ferrier of Roadside Picnic, Kenris MacLeod, Crail Pottery, Vanessa Bullick, Adelaide Shalhope Exhibition Catalogue from Iota, Adrian Slatcher & Steven Heaton, Maria Bowler, Paul Furneaux, Louise McLaren, SNACK mag Fundraiser, Neuk Collective Fundraiser, Subatlantic, Interpol and Armistead Maupin (3rd time to see him since moving here). Thank you for all of your work. I love living with and experiencing your creations. 

Travel:

Crail, Fife - SAU Rep Residential (gorgeous and wild - I love Fife)

Innerleithen, Scottish Borders (best vegan haggis pie, among other things)
Glasgow (on 3 separate but equally wonderful occasions. I love you, Glasgow)
USA (Unbelievably warm - a gorgeous autumn - good luck and godspeed- y'all come visit)

Besides working on my art and my union work, I made time to read a few books, watch films, see Interpol (2 years in a row and for the 8th time!), listen to loads of music (on repeat), walk in nature, meditate, study a bit of Japanese, and enjoyed some local culture with my friends. And I finally made it back to Arkansas (as mentioned above) to spend some quality time with my parents and see a few friends for 3 weeks this autumn.

Note to self: Megan, my dear... You are enough. You do enough. You live enough. You create enough. You are good enough. I am also super proud that you took care of your teeth, had your hearing tested, had your eyes checked and got new glasses, and you took part in that fitness study. You faced fears, you learned, you grew, you grieved, you experienced really dark days as well as unabashed joy and wonder. You maintained and fostered relationships. You said no and you advocated for yourself and others. Thanks for being good to yourself.

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As I did last year, I dedicate this post to my dear friends and patrons who are no longer with us. I have been fortunate to have been seen, understood, and supported by some amazing people and that is a gift that sustains me. Thank you. I will keep fighting and I will stay free.

Love always to my family of charcoal dust near and far and thank you to everyone who has supported my work as an artist and as a person. I couldn't do this without you and I wouldn't want to. 

Keep fighting. 

2023: Year in Review

I can't believe it's that time again but here we are. It's time to take stock of my art life for the last year and share it with the few of you who will read it. 2023 was a complex year. I think most humans can say that. I think the last 5 or so years have really put us all through the paces. But to quote Maya Angelou, "Still I rise." I hope you are rising too. 

I get pretty overwhelmed trying to summarise my art year in one blog post. I am going to try to keep this one a bit shorter for my sake as much as yours. Usually, I do this in a month-by-month format and use previous blogs to remind myself but I don't think I have that in me this time. 

Work: I created two new bodies of work that I am proud of, as well as a few stragglers, and several works in progress. 

Sales: I sold 13 originals, 10 prints, 2 t-shirts, 1 tote. 

Exhibitions: I participated in 2 group exhibitions both at the Out of the Blue Drill Hall with my studio peers. 

Gallery Representation: I am represented by Solo Gallery, Innerleithen, Scotland. Fabulous gallery! Gallerist Kate sold two of my original paintings this year. 

Stockists: Blunt Knife, Edinburgh carried and sold my Polly, Mabel, and Vera Prints. They have closed up shop for now. Keep your eye out for future happenings... 

Open Studio: I participated in 2 Open Studio Days on the 3rd and 10th of December. First Open Studio since before the pandemic. It was good to have the public in the studio again - thanks for your support.

Fundraisers: I launched a fundraiser to benefit Bicycles for Refugees (to support them in their robbery recovery): We raised £325.28 thanks to my lovely patrons. Thank you!

Mentoring sessions: I offered 2 sessions of mentoring this year with a wonderful Scottish painter. Thank you for trusting me with your process. I also donated my time to advise many other artists during the year as well. Pay it forward.

Friday Studio Blog: I wrote 52 weekly posts. Thank you for checking in here. 

Tuesday Studio Video Visit: I produced 22 weekly video visits (I missed 30 videos and I am okay with that). What will happen in 2024? Subscribe to find out.  

Artist's work I collected/supported: Jenni Douglas, Julia Laing, Mairi Brown, Fiona Thompson, Cyan Clayworks, Tim Bremner, Jacqueline A Higgs SSA, Stephen Bithell, Tokes Sharif/Studio Brae, and Catriona Clark. Thank you for your work. I love living with your creations. 

Scottish Artists Union: I continued to attend the Rep Training sessions that started last year. I participated in parts 2 and 3 this year and took on the position of the Lead Rep for the union, working with the rep team and initially shadowing more experienced team members while learning on the job since June. I have progressively become even more involved in my position since September. I am honoured to be part of this small, hard-working team. Doing work that I find meaningful and empowering is a gift. I am grateful for the opportunities and experience that I have been given by the union and the trust shown to me by the team and my fellow members. 

Join a Union!

Training and Learning:

Scottish Artist Union Rep Training Part 2: 5 sessions

Health and Safety, Fair Work Contracts, Rates of Pay, Insurance, Intersectional approaches to Equality, Diversity, and Inclusion

Scottish Artists Union Rep Training Part 3: 4 sessions

Neurodiversity, Casework, Members Enquiries, 

SAU Learning Programmes Attended

One Shared Owner: ‘Artist-Led Organisations in Scotland: Survey and Mapping of Activity’ an overview of the key findings.

In All Our Stimming Brilliance: Neurodiversity in Contemporary Arts Practice (3 Sessions)

First Aid for Mental Health 6-hour Course - Accredited SCQF5

Self-initiated study: 

Offered through TUC (Trades Union Congress): Online Education Courses

Earning Digital Credentials in the following:
Organising
Facility time awareness
Universal Credit
Health and Safety and organising
Real Living Wage
Menopause Support in the Workplace

I also attended The Scottish Union Learning Annual Conference.

Besides my art and my union work, I made time to read books, watch films, see Interpol, listen to loads of music (on repeat) walk in nature, meditate, and enjoy some culture and my friends. I really enjoyed photography this year as well (a medium I have always enjoyed but mostly kept for myself). I especially enjoyed my family members who visited from the States! 

I also grieved, and got COVID for the first time, and then just 3 months later, I caught some horrendous cough that was going around and yet here we are. I felt frustrated by social media, society, and the heaviness of the strife around the world. Yet, still, I rise. We rise...

I hope you are well, happy, and inspired wherever you are, dear reader. And if you are not, that is okay. Tomorrow is another day. The world needs you and the gifts you bring. 

Thank you to my patrons, Solo Gallery, my monthly and one-off Ko-fi Supporters (you all have no idea what your regular support means to me - thank you!), Thanks to the Scottish Artists Union and my friends and family. Here's to 2024. Peace to all beings. 

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I dedicate this post to my beloved Theo. The best cat in the world. I miss you with everything and still talk to you all the time. Tears come and my throat tightens. You are in my heart forever. I also dedicate this post to my dear patrons who are no longer with us. I have been fortunate to have been seen and understood by some amazing people and that is a gift that sustains me. Thank you. I will keep fighting. 

My family of charcoal dust. x

In the house you live

Outside the window

I am watching pink blossoms and their greenery dance in the breeze outside along the window sill. Theo, my cat, sits on the other side of the window stretched out on my desk while soaking up the sun. I am resting on the sofa across the room with a wee knee injury (nothing serious - just got a bit overzealous with my fitness last week). 

Earlier today, I had my third session of training in the Fair Work Rep series through the Scottish Artists Union. I am learning a lot in these sessions and really enjoying getting to know the other artists that are participating. I even dug out my union badge and have been wearing it with pride. 

If you are an artist in Scotland, please consider joining your union. We are stronger together and the benefits are immense. Become a member.

In other art-related news this week, the Abstractionistas took our exhibition down at Detour Espresso yesterday. Thank you to everyone who enjoyed "Awakenings" at Detour. It was a lovely and friendly venue and we enjoyed sharing our work with you. 

We have also been getting ready for our next exhibition as part of Inception at Dalkeith Palace. Signing our contracts, sending in our label information, and getting all our ducks in a row. 

I will have 6 larger pieces in the exhibition in the palace as well as 9 canvas smaller framed works and 9 small raw canvas mounted works in the pop-up shop space depending. Showcasing a range of my work to suit most budgets and tastes. I know Susan Wilson and Judith Shaylor and all the other brilliant artists and organisers are working hard to bring you the very best!

Get your tickets here: 

https://www.dalkeithcountrypark.co.uk/event/inception-art-show/

After cleaning my studio up last week, I have also begun the process of moving some of my paintings and materials that had migrated to my home during the pandemic back to the studio. Hopefully, we will get my pal settled into the space for the start of May and maybe I will start painting again. 

Conversation at 3 a.m.
Mixed media on canvas 6x8.5"
© 2014 Megan Chapman 

This next bit is for those in Arkansas and specifically my hometown of Fayetteville. I am in the early stages of organising an online sale of some of my works that are actually all still there in Fayetteville looking for good homes. Stay tuned, locals! (the two pieces of art in the post are just two examples).

Royal Botanic Gardens

In other non-art related news, I have really been enjoying the spring in Edinburgh, the sunshine has been divine. The flowers are blooming like mad and the trees are just starting to leaf out. Such joy for this time of year to come around again. I made it a point to visit my favourite graveyard, the botanic gardens, and a favourite park this past week along with a few other choice walks and suntraps. I even walked through The Meadows blooming on the way to take down the show at Detour.

And here I am on the sofa with a sore knee, but I will be back amongst the flowers soon enough.

In the house you live
Mixed media on panel
12x12"
© 2014 Megan Chapman

Dear Artists,

Stand up for yourselves. Stop working for free. Stop underselling your work and yourself. Challenge the way the art world functions and who it is set up to benefit. Set boundaries. Exposure doesn't pay the bills. We must support and encourage each other. We are in the same fight. We are not in competition. Share your secrets and let's reach our goals together as a unified front. Get organised. 

Don't forget to rest and to allow yourself time for joy. Remember what you wanted to express in the first place - you probably won't find it on Instagram but you might find it in your heart, your mind's eye, or in the pit of your stomach. Let it out. We can take it.

Love,
Megan

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