Friday, August 7, 2026
Friday, July 17, 2026
Anchor to my days
| Book two |
I have now been engaged in my personal project in my studio daily for the last 5 weeks. As previously mentioned, this entails a string of rituals stacked on top of each other and practised each morning starting around 6am. This usually lasts several hours, and before anything else happens in my day. Everything in its right place - a certain order - a priority. This time is fused together by movement, music, writing and painting, study and meditation. Born from necessity, the essentials revisited. It is a meaningful anchor to my days and I will continue like this until it inevitably runs its course.
Friday, June 5, 2026
New small works series in progress
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| Within mixed media on canvas, 10x10cm 2026 © Megan Chapman |
| Three new pieces on my studio wall minus the one I sent to Manchester |
Until next week, keep fighting.
Friday, December 19, 2025
A meditative pause
| Glitter disco monarch of the glen with added buddha |
I have been awake for ages in the dark so I figured I might as well type a few words. I am still not ready to share what I have been up to on the art front. Maybe I will feel inclined to share this on boxing day (which will be the next time I write here).
| all that glitters |
At this point in my life, Christmas serves as a meditative pause. I am looking forward to time off work, time to reflect, to watch films, eat good food, catch up with some friends and go for walks. Time to settle into some new patterns and create future pathways. Ooh, and time for genealogy too! Now, I'm excited!
Whatever you get up to during the festive season, I hope you have moments of peace and security. It's been one hell of a year for a lot of us, so take it easy and don't forget to honour your needs (this is a reminder to myself). And remember too, it's almost Solstice - the light will be making its slow return back to us!
Wishing you a joyous season. Thank you for sharing some of your precious time with me. We need you and the gifts you bring. Keep fighting and shining.
Friday, June 27, 2025
I still shake
| Above the old studio sink |
Hello Dear Readers, Friday finds us again.
Thank you for spending some time with me in a world that is always pulling at your attention and lifeforce. Last week's post seemed to be a popular one, and I am glad it resonated.
This hasn't been a great week, but there have still been moments of beauty and laughter, as well as tears. I took time for it all.
I have decided that I must approach things differently. It's once again time to reframe, change, embrace, and accept. Of course, it is always this time unless one is fighting against the very nature of life. I am actually pretty good at doing this - I can be pretty stubborn. I am a fixer and an optimist, a hard worker and much of the time, a black and white thinker. These qualities can serve me well to a point and these traits can also make things harder than necessary. I embrace my hardwired tendencies and breathe into what I can soften and release.
This week, I walked more and listened to nature's lessons.
As I think many of you have gathered, my art "career" is not the same as it once was, my feelings and motivations towards it have changed a lot since the pandemic as well as from all I have learned through my involvement with the Scottish Artists Union. I no longer work the same way as I did. Some of this is okay with me and some of it, is not.
The arts (in all of its forms) was such a huge part of who I was as a child, how I was raised, what I valued and how I perceived my value. I credit art with "rewiring" my brain, giving me a purpose, and helping me make sense of the world and my place in it. Art built my confidence and gave me a shorthand language to help me find others that I could understand and who would understand me. Art supported me emotionally, spiritually, sometimes financially, and gave me a sense of community.
Most of my friends are artists or in creative fields of practice and many of them have also changed the way they work. We talk about it differently now, in a wistful way. Longing for something that was lost. Back before algorithms, likes, and shares - or back to when likes and shares still equaled opportunities and income. Back before we realised how much all the open calls were costing us, before we realised the labour involved in pursuing speculative opportunities that seemed to generate income for everyone but the artists. Back when we had that hungry energy when we were younger.
How do we peel it all back and begin again? What systems need creating to make it work? What is the goal now? How do you keep expressing and creating when you are the only audience for your work and your storage space and finances are limited? How do you remain committed to the creative practice when the world seems committed to misunderstanding it and you?
How do you ignore the pressures of society to protect the tiny flame within?
I think you tell the truth. I think you keep showing up, even if showing up looks different now. I think you keep walking in nature, and realising the value of all things that feed the creative work. I think you get quiet and maybe a little angry.
And you create to please yourself, to calm, soothe, explore, excavate and exorcise. I think you meditate and cry and limit the bullshit from taking root.
Why would the path look the same as it did five, ten, or twenty five years ago? It wouldn't. We've changed, the world has changed, the internet has changed, galleries have changed, motivations have changed and this is simply the nature of things.
Art is the constant, even in fits and starts. From youth to now, I think about it, write about it, talk about it, work around it, create it, cry and worry over it, and feel its exaltation.
I let go of what was, accept what is, and do not fear the future, but I still shake.
Friday, January 17, 2025
She is an imaginary girl
It was fitting that the soundtrack to last week's post was "Dark Night of the Soul" featuring David Lynch.
I was so shocked to hear of his death that I actually gasped out loud when I read the news in a message from my brother Sean. I wrote a few friends in particular who I knew would be upset and then I shed a few tears myself. I started watching old clips and reliving memories that revolved around David Lynch's work and art.
Like many others, I took to the internet to share my feelings:
"I'm so sad about this loss. David Lynch gave us so much vision and new ways to see. He offered up validation and permission. Meditations on darkness and love. Twin Peaks beaming into the house when I was in high school was as important to me as witnessing the dawn of MTV when I was child. Style, colour, art, mystery - everything was suddenly available to me. I could understand my own sensibilities and appreciate them even in Arkansas."
Looking back, I realise how much he had influenced me in the 80s and 90s and how he continues to influence me today. How often I quote his work. He was and will forever remain a true artist and an original. We are so lucky for all he gave us.
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| Two Sad Clouds, mixed media on paper, Megan Chapman, 2024 |
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| Temptation, mixed media on paper, Megan Chapman, 2024 |
How can we best show up in this crushing world with our own singular visions? How can we support each other and ourselves in our purest most expansive forms? How can we bring more delight, humour, wonder, and understanding into this world?
Let's catch some ideas.
Friday, December 13, 2024
Waiting (again)
Friday, December 22, 2023
Contemplation, rest, and gratitude
Thank you to all those who have supported me in the past, present, and future. I can't do this without you. You are a vital part of this dance.
I will see you again next Friday for my 2023 year-end review blog.
May contemplation and rest find you in the next week.
With love and gratitude,
Megan
Friday, October 13, 2023
My favourite kind of beauty
I went for a walk yesterday and everywhere I looked was beautiful. Aged, decaying, and run down - my favourite kind of beauty. The light was from the past and the golden leaves, the old doors, cobbles, and wynds were singing to me. The pavements held me, and the sound of the trees in the wind cushioned my steps.
We are holding you. We are here for you. We are with you now.
I looked up to the sky, I looked down at my feet, step after step. I looked at the light and breathed - looked into the wind and felt, looked up again into the trees and tears met my eyes.
I hear the small birds in the morning now, not the seagulls. The swans and signets have done themselves proud, their family intact and almost grown as they glide along the water in the sun.
I congratulate them.
I walk on, and the leaves glisten in the water. I snap a picture.
We are holding you. We are here for you. We are with you now.
Friday, September 29, 2023
Capture the light
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| Morning Sun 1952 - painting Edward Hopper |
I was videoless this week as well.
After last week's activity comes this week's pause, this week's work, and this week's riding of the wave.
But there is a beam of sunshine on my hands and there is music in the air. I had a nice lunch and good snacks. I am wearing a new (to me) crisp white oversized button-up shirt from a charity shop. I can see clouds moving quickly from my window. I have packages coming my way and a stray cat who visits me.
It's not bad or good - it's just life.
Friday, July 14, 2023
You don't know us
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Friday, February 25, 2022
In the shallows
In the shallows Mixed media on canvas 80x80cm © 2018 Megan Chapman Sold |
Darkness comes in stages Mixed media on canvas 30x122cm © 2016 Megan Chapman Sold |
May all beings be free from suffering and the causes of suffering.
May all beings rejoice in the wellbeing of others.
May all beings live in peace, free from greed and hatred.
Friday, April 2, 2021
There's no place like home
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| Ties that bind mixed media on canvas board 5x7"/13x18cm ©2021 Megan Chapman £55 with free shipping in the UK |
This scene makes me cry every time...
In other news, yesterday I joined the Granton Hub as a volunteer member of the arts subgroup to contribute ideas and help run events in their arts programme. I attended my first meeting and I am very excited about the ethos and happenings at the hub. I invite you to like their social media pages and posts if you don't already.
Please show up for yourself. Find your home, your room, your space. Find your folders, create your own system. Ask for help, make it happen. Make your mark. There is room for you here too.
Friday, January 1, 2021
The practice of being human
Today is the start of the New Year. 2021
Last night:
Six bonfires on the wee beach, laughter and chatter in the distance, the moon and stars above, waves lapping in the background. Counting down minutes, watching the local fireworks displays all around and hearing the ships’ horns bellow at midnight.The pavement is my guide, the birds and trees are my friends. One step forward and then another. The sun holds my hand. I breathe into nature’s embrace. Ever thankful.
Friday, August 9, 2019
Living on the fault line
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| A new painting from this week |
I can feel the sun as it shines on my legs, the doors are open onto the yard of the studio on this, the third week of my lucky artist's residency. It's been raining like cats and dogs and angry ones at that, with the weather being more like Arkansas than Scotland this past week.
I am listening to REM's album Murmer as this place reminds me of it and takes me back again to my youthful summers spent dreaming of somewhere else. I watch the swallows dart in and around as the buddleia sprouts from the corners of the slate roof. Faded blue and green painted arched wooden doors come into view as this morning's rain puddles reflect the light.
I sit and write and breathe and feel content even when the world is going to shit. This morning I cried and then meditated (some call it prayer) for the children in cages and now the new ones left without parents in Mississippi. I know my meditations can't help them and I cry over the trauma that they will be left with. I am half a world away, sitting in the sun thinking about institutional racism and I am thinking about painting. I can think about both and I can choose to think about one more than the other because of my white privilege. This troubles me but not like it troubles those without this skin.
In my privileged world, I am learning to be okay with being happy and sad, civil and angry, content and yet aware of the world and its injustice. I wade into these grey murky waters, this muddled way of being, the dark and light within and the imperfection and humanity of us all.
I walk each step learning that nothing has to be "good" or "perfect" and I keep painting.
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| Living on the fault line |
Until next week, keep fighting.
May all beings have happiness and the causes of happiness.
May all beings be free from suffering and the causes of suffering.
May all beings rejoice in the wellbeing of others
May all beings live in peace, free from greed and hatred.
Consider making a donation to the Mississippi Immigrants Rights Alliance. "MIRA envisions a Mississippi that supports, protects, and welcomes immigrants from across the globe working hand-in-hand to create a thriving community called home." If you donate directly to them they have access to the money quickly so they can help these families hit hardest by the latest ICE raids. Donate here.
Thank you.
Friday, March 15, 2019
The magic is in the schedule and in the practice
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| Small works framed for The Velvet Easel Gallery exhibition: "Off the Wall" Happily, the two on the right sold on opening day. |
I don't seem to have much to say about painting right now and I find that very frustrating. My studio blog is an important part of my process. It is a practice that I value right along with my painting. They work in concert together. My painting spurs on my writing, and my thoughts, words, and daily life spur on my painting. They each help me understand my motivations and why I paint. Sometimes, it's a simple reportage post of what happened one week in the studio, sometimes it's a love letter to the process, and sometimes it's just photographs of the work. The point is, whatever my blog is, I show up each Friday (well, usually).
To quote Thich Nhat Hanh, "Darling, I care about the suffering."
Friday, October 26, 2018
Studio life, routine, sales!
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Stolen moments
40x50x4cm
Mixed media on canvas
© 2017 Megan Chapman
£585
Available through The Velvet Easel Gallery
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This week was fabulous. I worked in the studio from Monday through Friday. I also returned to my yoga and meditation routine. In short, I returned to my natural way of being.
I deep cleaned my studio, gave all my brushes a good wash and organized my storage and just reconnected with the space. It was so good to be there, to drink my tea there, to see the familiar faces and walk the streets of my old neighbourhood.
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Time spent as someone else
40x50x4cm
Mixed media on canvas
© 2017 Megan Chapman
£585
Available through The Velvet Easel Gallery
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After my deep clean, I decided to have an impromptu studio sale over on my Facebook Art Page. I am grateful to say that eighteen pieces have since sold from the sale. This will enable me to pay my studio rent for a little over 3 months and provide some peace as our budgets have been severely stretched as both the studio and the flat rent went up considerably.
The sale continues with new works (mostly smaller, older, and some stranger) added and there are some ridiculous deals to be had. In the end, it comes down to space and money and I need both. Thanks again for your support.
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Precipice
50x40x4cm
Mixed media on canvas
© 2017 Megan Chapman
£585
Available through The Velvet Easel Gallery
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In other news, this past Saturday I delivered 4 pieces to be included in the "5 Years" exhibition at The Velvet Easel Gallery. These works are from a series painted in 2017 called "All the ways." You can see them here, peppered through this blog post. I have now been showing my work with The Velvet Easel for the past year and I am really delighted to participate in this show celebrating the gallery's success over the past 5 years of business. Join us on Nov. 3rd for the opening. It's an all-day drop-in affair so if you want to make sure to meet up with me there, send me a message or comment so that we can coordinate.
Friday, September 14, 2018
Come to centre
Reminder. Next Friday, Sept 21st. 7-9pm.
Friday, September 7, 2018
Between memory and story
Let's start with the basics. I worked in the studio some this week but not quite as much as I would have liked. I might make up for this over the weekend.
You can see what I have been up to on the Tuesday Studio Video Visit recap.
I started fine tuning the canvases that I had been working on as an experiment for a potential commission that I shared in progress last week.
Here are two that are heading into a more finished phase but are not quite done. The other two have a ways to go yet. The colours feel fresh and bright with the pure yellow and dash of coral. We will see what happens next.
In other news, we are still stressed while looking for a new flat to rent (we have about 6 weeks before we have to be out of this one). My studio rent went up £20 a month and another gallery in Edinburgh contacted me to pick up all my work.
However, I know we will find a place to live because we just have to. My studio rent went up but I believe it now includes high-speed internet in my studio (just what I need, right?) and the gallery gave me back all my work but now I am able to present even more of my latest body of work at my solo pop-up exhibition, Between Memory and Story on September 21st from 7-9pm for the Maggie's Culture Crawl at the Out of the Blue Drill Hall.
I am incredibly honoured and excited to be taking part in this special event happening across twelve cities in the UK that aim to provide a year's worth of culture in one night all while raising funds and supporting people with cancer.
I have nothing to complain or worry about. I have had better weeks or months but I have also had worse. You bet I hit the yoga mat this week and the meditation cushion too. I reached out to friends and I felt my feelings. Every day I do that is a victory. I hope you were victorious too.
Until next week, let's keep fighting.




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